404 the LOST, 2019
Video Game


中国核工业总公司第四零四厂位于甘肃嘉峪关以西100公里处,简称为404厂,筹建于上世纪1957年,因1964年第一颗原子弹爆炸成功打破了美帝国霸权主义的核垄断和核讹诈而辉煌。
还原404核城的想法最初起源于许多年前读到的一片GEO视界对404曾住民李杨的采访。从小生活在东部沿海发达城市里的我从未能想想到在大西北的深处有这样一座与世隔绝的城市,在那个曾经打核战的年代,集体主义盛行苏联还未解体的年代。采访中关于一次“行刑”事件,核城废弃后“搬家”事件以及讲述者李扬如何融入正常社会的经历十分触动我,直到今天仍旧会因为再次浏览这些文字而内心震颤:

“我考大学出了404以后,不会坐公交车,不懂上车要买票。”
“我就观察,看别人怎么坐公交车。”

生在二十一世纪的我们,也许无从透彻地了解那个时刻、那个地点的人们到底有着怎样的生活和想法,但至少,说是不自量力也好,我们想去了解他们,哪怕只是微乎其微的一点点。我们想尽可能地再现那个在地图上已经无迹可寻的,无数人曾经奉献、坚守,甚至将自己埋葬于那片土地下的,他们的家。






















Located 100 kilometres west of Jiayuguan in Gansu Province, the China National Nuclear Corporation's (CNNC) Plant 404, known simply as Plant 404, was prepared in 1957 of the last century, and was made brilliant by the successful explosion of the first atomic bomb in 1964, which broke the nuclear monopoly and nuclear blackmail of the American imperial hegemony.
The idea of restoring 404 Nuclear City originally originated from a piece of GEO Vision's interview with 404's former resident Li Yang that I read many years ago. Growing up in a developed city on the eastern seaboard, I never imagined that there would be such an isolated city in the depths of the Great Northwest, at a time when there was once a nuclear war and collectivism prevailed in the Soviet Union before it was dissolved. The interviews about an "execution", the "moving" of the nuclear city after its abandonment, and how the narrator, Li Yang, was able to integrate into the normal society touched me so much that even today I am still shaken to the core when I read these words again,

"After I went to university and left the 404, I didn't know how to take the bus, I didn't know how to get on the bus and buy a ticket."

"I just observed and watched how other people rode the bus."

Born in the twenty-first century, we may not have a thorough understanding of what people at that time and place actually had in their lives and thoughts, but at the very least, and I don't care if I say it's not self-conscious, we want to understand them, even if it's just a tiny bit.
We want to recreate as much as possible the place that is no longer found on the map, the place where countless people have dedicated themselves, persevered, and even buried themselves under that land, their home.